PLACES OF INTEREST

TANAH LOT TEMPLE



In the days of the East Javanese Kingdom of Majapahit, there was a famous saint called Dang Hyang Dwi Jendra. He was highly respected by all for his services to the Kingdom and its people in matter their prosperity, spiritual well-being and overcoming the problems of life. He was known for his dedication ”Darma Yatra” or the spreading of Hindu religion. In Lombok they called him the “Tuan Semeru” or the master from Semeru, a mountain in East Java. During his mission in Bali in the 15th century, the ruler in Bali Raja Dalem Waturenggong welcomed him and treated him with high respect.

His teachings spread like wild fire in Bali, as he instructed and preached the teaching of Darma (duty) and erected many temples in order to rice the spiritual consciousness and deepen the religious doctrine of Hinduism amongst people. It is said that in his old age, whilst carrying out work in “Darma Yatra” at Rambut Siwi, he was led by a holy light East wards from the place, he followed this radiance a long to its source which was a fresh water spring. Not far from this place, he found an extremely beautiful place which was locally known as “Gili Beo” ( Gili-coral rock, Beo-Bird ).

This huge rock was in the shape of a bird. At this place he settled for a while to meditate and pray to the God of the sea. He began to preach to the local people from the village of Beraban, whose leader known as “Bendesa Beraban Sakti” the holy leader of Beraban. To this time the local belief’s had been based up on monotheism. In no time the news spread of the presence of Dang Hyang Nirartha or Dang Hyang Dwijendra a teacher of religion and made many villagers became disciples. The followers of Bendesa Beraban began to leave him, and he began to blame Dang Hyang Nirartha. He gathering some of his followers that still belief on him to disgruntled and came to the priest to ask him leave the area.
With the strength of his religion power, the priest managed to avoid the disturbed of Bendesa by moving the huge rock which he was meditating into the sea. Then he created lot of snakes from his scraf, as protectors and guards at the entrance. He gave the name of “Tengah Lot” to his refuge, meaningland in the minds of the sea. Eventually the Bendesa Beraban acknowledge the spiritual powers of Dang hyang Nirartha, and he learned for him self the doctrines preached of the Holyman and becoming his most faitfull follower, spreading the ward amongst his people to joint the faith.
As to token gratitude, before taking his leave the priest gave a Holy Keris known as “Jaramenara” to the head of the village. This ancient keris is kept in the Puri Kediri, highly treasured to this day. A special ceremony is made for it on every Kuningan holiday. The temple festival at Tanah Lot takes place every 210 days on “Rebo Keliwon Langkir” according to the Balinese calendar. Tanah Lot is a temple located in the south of Tabanan exactly in Beraban village, District of Kediri. It is about 13 kms from Tabanan Town and 30 kms from Denpasar.
It looks like a floating one if the tide is high but when tide is low, people can walk to the Temple. Because of erosion many caves, which are inhabited by sea snakes, are formed. People cannot disturb these snakes because according to the belief, they belong to the God in the Temple. Because of the beauty, many tourists domestic or international come to this resort.


PANDAWA BEACH  (the latest beach in Bali)


Pandawa beach is the latest beach among the beaches such as Kuta beach, Padang Padang beach, Dreamland beach and other beaches.

Pandawa beach has its own characteristic compared with other beach. It is located in the village of Kutuh district of southern Kuta Badung regency, exactly on the south of Nusa Dua.

Entering the area on the hill which has been cut in pieces, we will be greeted with a very spectacular beach scene. The bright of blue sky adds to the natural beauty of Pandawa beach. It is no wonder why the Pandawa beach has become more famous since it was opened.

KINTAMANI VOLCANO


Batur mountain (Gunung Batur) is an active volcano located at the center of two concentric calderas north west of Mount Agung,Bali, Indonesia. The south east side of the larger 10×13 km caldera contains a caldera lake. The inner 7.5-kilometer-wide caldera, which was formed during emplacement of the Bali (orUbud) ignimbrite, has been dated at about 23,670 and 28,500 years ago The southeast wall of the inner caldera lies beneath Lake Batur; Batur cone has been constructed within the inner caldera to a height above the outer caldera rim. The Batur stratovolcano has produced vents over much of the inner caldera, but a NE-SW fissure system has localized the Batur I, II, and III craters along the summit ridge.
Historical eruptions have been characterized by mild-to-moderate explosive activity sometimes accompanied by lava emission. Basaltic lava flows from both summit and flank vents have reached the caldera floor and the shores of Lake Batur in historical time. The caldera contains an active, 700-metre-tall stratovolcano rising above the surface of Lake Batur. The first historically documented eruption of Batur was in 1804, and it has been frequently active since then. The substantial lava field from the 1968 eruption is visible today when viewed from Kintamani, a town that stradles the southwest ridge of the greater caldera. The caldera is populated and includes the two main villages of Kedisan and Toya Bungkah. The locals largely rely on agriculture for income but tourism has become increasingly popular due to the relatively straightforward trek to the summit of the central crater. The lake, Danau Batur, is the largest crater lake on the island of Bali and is a good source of fish. On September 20, 2012 UNESCO has made Mount Batur Caldera a part of the Global Geopark Network
Kintamani is located in Kintamani sub district, Bangli Regency and about 50 km from Denpasar Town or about 2 hours by car. All roads are generally in good condition to access to this place. The fog will descend and blanket entire area of Kintamani with cold temperature in particular at late afternoon until the whole of night. The most amazing panorama at Kintamani can be seen in the morning time, when the sunrise emerges on the surface of earth precisely on the mount Batur .

HOLY SPRING WATER TEMPLE OF TAMPAK SIRING



Tirta Empul Temple or Tampak Siring Temple is a holy spring water temple located in Tampak Siring Village, Gianyar regency and it is about 39 km eastwards from Denpasar town. It is set in the dale and encircled by the hill. In the west side of this temple, there is an Indonesian President palace which has been found by the first president. The name of Tirta Empul is loaded in a inscription which is kept at Sakenan Temple, Manukaya village, Sub district of Tampak Siring, about 3 km from Tirta Empul Temple. In this inscription, the Tirta Empul is named by the Tirta Ri Air Hampul and then the name has changed into Tirta Hampul and finally become the Tirta Empul. Tirta Ri air hampul is meaning the water emerge or the holy pool (Petirthan) which is the water emerge from the land.

History of Tampak Siring or Tirta Empul

The wellspring emerges from the land is believed that it is the infinite creation. According to the history, that, that this water source is arranged and sanctified by king Indrajayasinghawarmadewa in the year 882 Saka (960 M). He has given the name with Tirta ri air hampul. The data is loaded in the inscription that is located at Sakenan Temple. Besides of the above epigraphy data, in Tirta Empul Temple is also found the archaeology omission like Colossus Yoni, Arca Lion, Tepasana and Tirta Empul Pool. According to papyrus of Usana Bali narrated that Tirta Empul is created by Bhatara Indra (Sun Deity) when bearing arms against the king where his palace is located in Bedahulu Countryside. He is known as a very miraculous king, which he can lose or show suddenly, therefore he is named by Mayadenawa. Because of its miracle, he becomes the arrogance and expressing himself as a god. The Mayadenawa King owns the assistant (Patih) which is called Kalawong. They prohibit the people to do the Yadnya (praying to the god) so that is often happened the natural disaster, disease epidemic, agriculture fail and finally miserable life society. Finally Betara Indra (one of Hindu God) gives battle against the kings that happened in Tampak Siring and then the Mayadenawa is gone to the wall and disappear. King Mayadenawa has also created poisonous pools which can the team of Bathara Indra die and faint after drinking this water. Then Bathara Indra stick the weapon of Umbul-umbul and finally the water is emerging so that called by Tirta Empul and then it is passed to the dead and faint soldier that made them back to live. Therefore at the moment this pool water is sanctified by the Hindu society in Bali and they believe that this water source can heal various of diseases, hence every day this place is a lot of visited by Hindu people to do the ritual and sanctify them self . This place has been opened for public and as a famous tourist destination in Bali.

ULUWATU TEMPLE



At the western most tip of Bukit Peninsula, this is one of Bali's nine " directional" Kahyangan Jagat Temples. The location is dramatic, perched on the edge of a high cliff with a picturesque sunset view. The temple was first used for worship by the holy 11th century priest, Empu Kuturan who came to Bali to bring Hindu religious law and to form Desa Adat (traditional villages).

The area where the spectacular sunset can be viewed is felt with the scent of frangipani blossoms and is also the home to friendly monkeys.

Located at the southern part of Bali island with approximately an hour's drive from Kuta, this temple is one of the most recommended tourism attraction in Bali.


BERATAN LAKE/ ULUN DANU LAKE TEMPLE



Ulun Danu Temple or Beratan Lake  temple, is one of the most populer tourist attraction in bali. As its function as a Dang Kahyangan, which means the temple that used by Hindu community to respect and sense gratitude for the prosperities, that has been blessed by the God.
In this case over to worship the God of Siwa (Goddess Uma), that gives blessing of the water, which used for life, and especially the agriculture of Subak (Water Irrigation) Organization in the Regency of Tabanan. The word in the meaning of Ulundanu temple is deriving from word of Ulun (Ulu mean; head / central, and Danu (Danau) mean; lake.
So the name of Ulundanu is the temple that becomes central source of water (Source of Life / Prosperity). The other function of this lake temple is also used by Hindu Balinese to do the purifications ceremony. And the Ulundanu Temple is precisely located in the Village of Candi Kuning, Baturity Districts, Tabanan Regency, about 50Km from Denpasar City towards Singaraja City direction.
According to the history, this UlunDanu lake temple was build in the year of 1556 Caka / 1634 AD, which has a strong connections of Taman Ayun Royal Temple, that built by the King of Mengwi namely I Gusti Agung Putu. Ulundanu Temple is a symbolic the glorification meeting in between the Mountain and the Lake (Siwa and Uma / Parwati), or the embodiment symbol of a Lingga and Lake (Identical to the sea) as Yoni, in essence is the symbol of LinggaYoni itself, or symbol the essential prosperity of Life. Until now this Ulundanu Lake Temple is very well known and often visited by Locals or Domestics and foreigners.


TIRTA GANGGA WATER PALACE

Tirtagangga royal watergarden is composed mainly by water, plants and sculptures. It is situated in the middle of rice fields around the natural springs ofRejasa, approximately 7 km. (5 miles) north of Amlapura, the main town of east Bali, Indonesia.
Tirtagangga is a well-known cultural object of Bali. It belongs to the royal family of Karangasem.
The area of the watergarden is about 1.2 ha (3 acres), consisting of three levels of ground stretching from east to west. On the highest northern Swah level there are the spring under the Banyan tree, the upper swimming pool and two decorative ponds, one with four fountains reminiscent of Versailles, and the other with Victoria lotuses.
The first thing one sees when entering the garden is the elegant eleven-tiered Nawa Sanga fountain which rises from the middle of the complex. This fountain together with the two ponds form the middle Bwah level.
The larger lowest Bhur level, on the left side of the straight foot path running from the entrance to the west, is occupied by the big South pond with the long Demon island in the middle.

HOLY WATER

The water from one of the natural springs of Tirtagangga has always been regarded as holy. It is used for religious ceremonies in the temples in the area until today. Tirta means blessed water, gangga cames from Ganges, the holy river in India. The holy water is required for ceremonies of the temples in the surrounding as far as Tirtagangga can be reached by foot.
At certain celebration days the people from the villages around will come in colourful processions with offerings, umbrellas, flags and other attributes. Led by their temple priest they hold ceremonies around the spring under the sounds of hymns and the music of the beleganjur.
The springs have a huge output of pure water. The water is first led to a reservoir where it is divided in two parts. One third provides drinking water for the town Amlapura. The remainder goes into the upper swimming pool through an underground pipe. The overflow of water goes into the lower swimming pool, the other ponds and finally to the rice fields.



KECAK & FIRE DANCE


Not known exactly where Kecak dance originated and which was first developed, but there are some kind of agreement on the Balinese Kecak was first developed into a performing arts in the village of Bona, Gianyar, as additional knowledge Kecak was originally a song or music that is resultant from a combination sounds that make up melodies that are usually used to accompany the sacred dance Sanghyang. And can only be staged in the temple. Then in the early 1930s by artists from the village of Bona, Gianyar trying to develop a Kecak dance by taking the story of Ramayana who danced as a substitute for Sanghyang Dance so this dance could eventually be displayed in public as a performance art. Part of the Ramayana story in which the first is taken as Goddess Sita was abducted by King Ravana.

Kecak Dance in Bali continues to change and progress since the 1970's. Developments can be seen is in terms of story and staging. In terms of the story for staging not only sticking to one part of the Ramayana, but also other parts of the story of the Ramayana. Then in terms of staging also began to experience growth not only found in one place likes the Village Bona, Gianyar, but also other villages in Bali began to develop Kecak dance so all regions in Bali there are dozens of Kecak groups whose members are usually members of the Banjar. Activities such as Kecak dance festival is often held in Bali well by government or by a school of art in Bali. As well as from the amount of much dancers who ever performed in the Kecak dance was recorded in 1979 which involved 500 dancers. At that time kecak performed by taking the story from the Mahabharata. But this record was broken by Tabanan regency government that organizes colossal Kecak dance with 5000 dancers on September 29, 2006, at Tanah Lot, Tabanan, Bali.

Pattern of Kecak Dance

As a Kecak dance performance is supported by some very important factor, and in the Kecak dance performance presents the dance as an introduction to the story, of course, vital music to accompany the dancers movements. But in the Kecak Dance, the music generated from a combination sounds of members "cak" which were about 50-70 people all of them will make music in akapela. A person will act as a leader who gives the tone early, someone else acting as a suppressor in charge of pressure high or low tone, someone else acting as a solo singer, and someone else will act as the mastermind behind that to deliver the story. the dancers in the Kecak dance motion should not follow the movement of dance accompanied with gamelan. So in the Kecak dancethis gestures of the dancer is more relaxed because the main priority is the storyline and the sound mix.
Kecak Dance Story

What makes the Kecak special is that the accompanying music is provided by the human voice, the gamelan suara, a choir of a hundred men or more sitting in concentric circles, swaying, standing up, lying prone as the story develops.Amongst the swaying masses the voices of the storytellers can be heard telling the unfolding tale.
The story is a fragment from the Ramayana, the Hindu epic which finds its expression in many forms, not only in dance, but also in painting and carving. Prince Rama, heir to the throne of the kingdom of Ayodya, and his wife Sita have been banished from the kingdom by King Dasarata as a result of trickery by Rama's stepmother. The story begins with the arrival of Rama and Sita accompanied by Rama's brother Laksmana in the forest of Dandaka.
The trio have been observed by the demon Rahwana, King of Alengka, who lusts after the beautiful Sita. Rahwana sends his prime minister Marica to try and isolate Sita so that Rahwana can kidnap her. Marica's magical powers turn him into a golden deer and he enters the forest and when the Sita sees the golden deer she is so enchanted by it that she asks Rama to capture it for her. Rama chases after the deer leaving his brother Laksamana behind with strict instuction to protec Sita. When Sita thinks she hears a cry for help from Rama she forces Laksamana to go after Rama by accusing him of cowardice and he goes off to help Rama with great reluctance after drawing a magic circle on the ground and telling Sita the she should not under any circumstance step out side the circle.
Sita, left alone in the forest becomes an easy prey to the trickery of Rahwana who has disguised himself has an old periest and bags Sita for some food as he is cold and hungry. Sita falls for for his trick, she steps outside the circle to give the old priest some food and rahwana grabs her and takes her to his palace.Once back in his palace in Alengka, Rahwana tries everything he can to seduce Sita without any luck.
In the palace of Alengka, Sita pours out her heart about her cruel fate to Rahwana's niece Trijata, when Hanoman appears telling her that hi is Rama's envoy and proving it by showing her Rama's ring. Sita gives Hanoman a hairpin to show she is still alive and sand him back to Rama with a massage to come to her rescue.
In the meantime Rama and Laksamana accompanied by Tualen are wandering in the forest looking for Sita when Meganada, Rahwana's son, appeares and engages Rama and Laksamana in Battle. Meganada uses his magic powers and shoots of an arrow which magically turns in to a dragon which overpowers Rama and Laksamana and they are trussed up in ropes.
The bird Garuda, King of all the bird, a good friend of King Dasarata, has observed trouble Rama is in from high up in the sky and comes to the rescue freeing the brothers from the ropes. Rama and Laksamana continue on their way to rescue Sita and are joined by Sugriwa, king of the monkeyes, and his monkeys army.
This fragmen of the Ramayana come to an end with the bittle between Sugriwa and his Monkeys Army and Meganada and his Demon Army which ends with the defeat of Meganada.

TAMAN UJUNG SUKASADA

Which by the local people is called as Taman Soekasada Ujung, was built in 1919 the launching of this complex of water palace was performed in 1912 and inaugurated in 1921 by the King of Karangasem which at first used for resting place and for entertaining important guests such as kings or the Chief Executive foreigners who visited the kingdom of Karangasem.
The invasion of the Netherlands in 1908 where the regents status under the Dutch colonial and the King of karangasem given powers to regulate regional and wealth. I Gusti Bagus Jelantik then titled Ida Anak Agung Anglurah Karangasem was the last king who ruled the East Bali from 1909 until1945. The King of Karangasem on this period was the architect of Ujung Water Palace

Ujung Water Palace is a beautiful park with big fish pond surrounds the old Karangasem Empire heritage building which is used by the Karangasem's King for day relaxation or meeting place in their era. It is located in Ujung Countryside about 5 Km from Amlapura town. This park is originally met one pool only which is very Ghostlike and very secret called by Di Dirah and this pool at the period of I Gusti Gede Putu King (1849-1893) governance with his brother of Gede Oka (1849-1890) that the around of this pool is functioned as place of exile for the man who alleged to run the black magic (leak). At the period of I Gusti Bagus Jelantik governance which start to lead the Karangasem Kingdom in the year 1909, this pool area is extended and developed by some pools and also luxury building Bale Gili with European style (modern style), later then it is given the name called Taman Sukasada / Sukasada Park Ujung Karangasem and known as a Ujung Water Palace, that is estimate made in the year of twentieth.

Ujung Water Palace is strategically located in the coastal side, south part of Karangasem town and founding a lot of wellspring around the area. If seen from the history aspect, most of all omissions from Karangasem Empire both for Lombok Island and also exist in Bali, altogether area consisted by the pool and Gili building which is exist in the middle of pool like Mayura and Narmada Park which are existing in west part of Lombok Island.

On the most tip of the highest level of this complex of Ujung Water Palace, we will find a great statue of "warak" (rhinoceros). Beneath the warak there is a Bull statue. From this high place we will see a marvellous view of sea, hills with lush and green forest, the beauty of Mount Agung combined with the green terraced rice fields.

The greatness of Ujung Water Palace had been destructed by the explotion of Mount Agung in 1963 which was made worst by the great shake happened in 1979. However, the recovery effort had been performed to bring back the glory of this complex of water palace by holding a reconstruction and revitalisation project on it. Although it is not as great as it was, the amaze of the past still can be seen here this moment.

We can say that this Ujung Water Palace as a mascot of tourist destinations in east part of Bali because Sukasada Park has been recognized until foreign countries since twenty's year and more famous again in the year of thirtieth when all foreign tourist start to pay a visit to Bali. King of Karangasem I Gusti Bagus Jelantik who is known as Anak Agung Anglurah Ketut Karangasem is a Statesman, Man of letters as well as an architect. He has created a lot of building not even in the form of park but he also done some building which are exist in Puri Agung Karangasem (Karangasem Palace) like gateway which is looking like pagoda.

TENGANAN VILLAGE

Tenganan is one of the oldest Balinese Traditional Village located in Karangasem Regency, east part of Bali. This village is much referred by cultural literature science of Tenganan Pegringsingan, which is very famous in the island.It own very unique local community life pattern which is one example of Bali Aga Village cultures (Hindu Prehistoric) and different with other countryside in plain of Bali. Nowadays, this village has been appointed as a place for tourist destination which can present the attractive and unique matters which able to add the variation of object and fascination for tourist to come.
There are some versions of story telling us the history of Tenganan village.
Some say that the word Tenganan was derived from the word "tengah" or "ngatengahang" which means, "move to the inner area". This derivation of word was having a relation with the movement of the villagers from the seaside to a rural area, in which the position of this village is in the middle of hills, which are western hill (Kauh Hill) and eastern hill (Kangin Hill).
Another version reveals that the people of Tenganan Village came from Peneges village, located in Gianyar, precisely near Bedahulu. Based on the folklore, once upon a time Bedahulu King lost one of his horses. The people looked for it to the east and the horse was finally found dead by Ki Patih Tunjung Biru, the King's right hand. For his loyalty, the King finally gave Ki Patih Tunjung Biru an authority to govern the land as far as the aroma of the carrion of the horse can be smelled. Ki Patih was an intelligent person, so he cut the carrion into pieces and spread it as far as he could. Thus he received a quite large area.


No comments:

Post a Comment